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Honors & Awards | Teaching Experience & Positions | Directing & Facilitation | Performances | Writing & Editing | Mask Making | Presentations | Other
Education
M.A. in Theatre, Education, and Social Change, Empire State College, New York, 2003
B.A. in Anthropology with High Honors, Charter Oak State College, Connecticut, 1994
Completed Coursework in Anthropology, Wesleyan University, Middletown, Conn., 1989
Graduate, Dell ’Arte School of Physical Theatre, Blue Lake, California, 1986
Professional Seminars:
- Alan Arkin, Improvisation, 3-day intensive, 2003
- Zajal, Community School of Music and Arts, Belly Dancing, 2002-2003
- Binghamton University, School of Education and Human Development, Dual Disorders: Substance Abuse Issues and Mental Illness; workshops on the intersection of art, performance, and mental health, 1998-2003 (annual 2-day seminars)
- Balinese performers, shamans, and artists, Bali, 2001
- Powerhouse/New York City film and stage company, Performance, 7-day intensive, 2000
- Sean Curran, Modern Dance, 3-day intensive, 2000
- Patch Adams/Southern Tier AIDS Program, Humor in Medicine, 1999
- Geoff Navias, Open Hand Theatre Company, “The Many Faces of Creative Play: Children and Masks,” “Using Masks to Encourage Storytelling,” “Drawing with Groups,” 1996
- Craig MacDonald, Scene Study, 8 weeks, 1996
- Connecticut Humanities Council and the Hartford Stage Company; “The Critical Eye: Critical Methods of Play Analysis,” 2-day seminar, 1994
- Connecticut Humanities Council, West African Dance, 8 weeks, 1993
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Honors and Awards
Awarded Special Opportunities Stipend, Ireland Mask Project, 2003
Elected Regional Chair, New York State Theatre Education Association (NYSTEA), 2003
Awarded grant, Partners Arts Education, Who’s Telling the Story? Mayan History, Culture, and Performance, 2003-2004
Awarded grant, Good Shepherd Foundation, Ray of Sunshine Project, 2003
Fellowship, Civic Fellowship, Cornell University, Ray of Sunshine Project, 2002-2003
Awarded grant, Partners for Arts Education, Bali: Art, Culture and Performance, 2002-2003
Elected Board Member, NYSTEA 2002- present
Awarded Special Opportunity Stipend, humanitarian clowning in Russia with Patch Adams, 2001
Awarded grant, Center for Religion, Ethics, and Social Policy, Cornell University, humanitarian clowning in Russia with Patch Adams, 2001
Awarded Local Hero Award, Community Wellnet, Ithaca, N.Y., 2001
Awarded grant, United Way Venture Grant; Youth Alive! Performance project with Roberson Museum, 2001
Awarded Decentralization Grant, Community Arts Partnership of Tompkins County, Babes in Arms productions, 1996, 1997, 1998, 1999, 2000
Honored for Afrocentric theatre programming at Southside Community Center, Ithaca, N.Y.; Jacqueline Melton-Scott, executive director, 1995
Awarded grant, Durland Alternative Library, Babes in Arms’ Passages, 1995
Awarded Presidential Scholar finalist (one of two people from New York State), 1983
Awarded full scholarship, Norton National Exchange Student Award; 3 months in applicant’s choice of countries (Switzerland), 1983
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Teaching Experience
Recent Courses Taught
- Commedia dell’Arte (introductory, advanced student, professional workshops)
- Mask Making (introductory, advanced student, professional workshops)
- Physical Theatre (introductory, advanced student, professional workshops)
- Acting (high school, performance school, college level, professional workshops)
Teaching Positions
Teaching Artist, Hangar Theatre, 1995-present
Stage Combat, Acting II, Acting III, Masks, adult classes in Improvisation and Scene Study
Teaching Artist, CSMA, 1995-present
Improvisation (adult class), Musical Theatre Masterclass, Shakespeare, Arts All around You, Postcards from America
Independent Acting Coach, 1997, 2002-present
Monologues, Physical Theatre/Acting, Scene Study
Guest Lecturer, Undergraduate Programs
- SUNY Cortland: Speech Pathology Department, “The Role of Play in Providing Treatment,” 2003-present
- Cornell University: Education Department, “Empowering Education: Theory and Practice,” “Using Clowning Exercises to Promote Public Speaking Skills,” 2003
- Ithaca College: Theatre Department, Dr. Norm Johnson, “Mask Making with Aquaplast,” 2003
Acting Teacher, New York State Theatre Education Association Student Conference, 2002-2004
Melodrama, Comic Theatre and Clowning, Commedia dell’Arte, Masks
Teaching Artist, Ray of Sunshine Training Program, Cornell University/ Mental Health Association of the Southern Tier, 2003-2004
Mime, Commedia dell’Arte, Movement, Clown Therapy, Comedy, Contact Improvisation
Guest Teacher, Performing Arts Programs in High Schools
Commedia dell’Arte, Physical Theatre, Masks
- Brighton High School, Rochester, N.Y., 2004
- Indian River School of Performing Arts, Philadelphia, N.Y., 2003
- Manhasset High School, Manhasset, N.Y., 2001, 2002
- Garden City High School, Garden City, N.Y., 2001, 2002
- Holy Trinity High School, Hicksville, N.Y., 2002
- Ossining High School, Ossining, N.Y., 2000
- Croton-on-Hudson High School, Croton, N.Y., 2000
Visiting Artist, Black Umbrella Theatre Company, Ithaca, N.Y., 2001, 2002
Commedia dell’Arte and Shakespeare
Teacher, Theatre for English Credit Program, Evergreen High School, Vestal, N.Y., 1998-2002
Acting Teacher, Cornell Summer Program, Cornell University, Ithaca, N.Y., 1996
Drama and Movement Teacher, Greater Hartford Academy of Performing Arts, Hartford, Conn., 1990-1994
Acting I, Acting 4, and Contact Improvisation
Artist-Mentor, Quirk Middle School/Connecticut Commission on the Arts, West Hartford, Conn., 1994
Co-Chair/Teacher, Job Training in the Arts Program, Greater Hartford Academy of the Performing Arts, Hartford, Conn., 1993
Drama Teacher/Director, Bulkeley High School, Hartford, Conn., 1992-1993
Drama Teacher, Mime Coach, Hartford Children’s Theatre Company, West Hartford, Conn., 1990-1992
Drama Teacher, Connecticut Drama Association Convention, 1990-1993 (annual event)
Set Design Teacher, Lighting Designer, West Middle School Committee, Asylum Hill Project, Hartford, Conn., 1992
Drama Teacher, Gifted and Talented Program, Farmington School District, Farmington, Conn., 1990-1991
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Directing and Facilitation
Community School of Music and Arts (CSMA), Director
- Harry Potter and the Enchanted Q-tip, 2003
- Bad Cats, 2003, 2000
- The “Y” Files, 2002
- Titanic · la Disney, 2002, 1999
- Stranded! 2001
- The Further Adventures of Arabella Swift, Private Eye, 2001, 1998
- The Search for Hamlet, 2000
- Star Wars, the Musical, 1999, 1997
- As You Like It, 1997
- The Stinky Cheese Man and Other Fairly Stupid Tales, 1996
Hangar Theatre, Director
- Empire State Partnership plays, 1995-present
- TST BOCES Alternative School productions, 2002, 2003
- Next Stage Winning Plays, 1998-2001
Mental Health Association of the Southern Tier, Mental Health Players Department: Mental Health Players, Peacetown Puppets, Ray of Sunshine Project, Director, Facilitator
Selected Mental Health Player Shows:
- Most local schools, What Is Bullying? and Dangerous Decisions, 1998-present
- Johns Hopkins University and Bassett Clinic; training for pediatricians 2002-2004
- Broome County Jail; Relationships, Communication, and Responsibility, 2003-2004
- WSKG, Origins of Violence, April 2003, Teen Suicide, November, 2003, January, 2004
- SUNY Binghamton, MSW training, 2003
- Suicide Prevention Conventions, 2001, 2002
- SUNY Binghamton, Psychology of Race, 1999, 2000, 2001
Selected Puppet Shows, 2001- present:
- Paper Bag Princess (adaptation)
- Harriet Tubman and the Underground Railroad
- Prince Ahmed and Peribanou (adaptation)
- Sam Can!
- Buzz Off!
- Various puppet shows for Binghamton’s World AIDS Day Observances
Ray of Sunshine, Performance Troupe/Therapy Troupe, 2003-2004:
Good Shepherd Nursing Home, Lakeside Nursing Home, Oak Hill Manor, New York State Veterans’ Home of Oxford, Rivermede Nursing Home, Lourdes Hospital
Gateway Project, Moravia, Director, Visiting Artist
- Who’s Telling the Story? Mayan History, Culture, and Performance, 2003-2004
- Bali: Art, Culture and Performance, 2002-2003
- Japanese Folktales and Bun Raku, 2001-2002
- Greek Mythology, 2000-2001
- The Underground Railroad, 1999-2000
North Side Youth Theatre, Director, Unify America, 2002
Bah! Humbug! Players, A Christmas Carol (adapted for a radio production), 2002
Babes in Arms Company, Artistic Director and Director:
- Marassa and Midnight, 2001
- Live! And in Color! 2000
- Aunt Jemima and the Traveling Menstrual Show, 1999
- Ain’t I a Woman and a Sister (commissioned: National Women’s Rights Museum), 1998
- Sally’s Rape, 1997
- Big Butt Girls and Hard-Headed Women, 1997
- Two or Three Things I Know for Sure, 1997
- WOMBman Wars, 1996
- Passages, 1995
Firehouse Theatre, Director
- The Vagina Monologues, 2001
- Sleuth, 1998
- The Sea Horse, 1997
- A Christmas Carol, 1996
- The Real Thing, 1995
Ithaca High School, Director
- Anything Goes, 2000
- Koi and the Kola Nuts, 1999
- Into the Woods, 1999
- Oklahoma! 1998
- Pullman Car Hiawatha and The Dramatic Circle, 1997
- Fame, 1997
- Lysistrata, 1996
- One Acts, 1996
- The Wiz, 1995-1996
Ithaca Opera, Director/Choreographer
- El Retablo de Maese Pedro, 1998
- Of Thee I Sing, 1996
Dryden Footlighters, Director
- Moon Over Buffalo, 1998
- Above the Clouds (Dryden Bicentennial Celebration), 1997
- Steel Magnolias, 1994
Many Faces Behind the Mask, Co-Director, Many Faces Behind the Mask, school year 1996-1997
Cornell Savoyards, Director, Trial by Jury, 1995
Connecticut Heritage Productions, Director, The Attic, 1994
Greater Hartford Academy of Performing Arts Fund-Raising Performance, Director, Marco Polo Sings A Solo, 1994
Intergenerational Theatre Group, Director, Chestelm Convalescent Home, Connecticut, 1992
The Gilbert School, Director, Godspell, 1992
Kids on the Block, Director/Coordinator, Differently-Abled Puppet Series, 1989-1992
Wesleyan University, Director, The Madwoman of Chaillot, performed in French, 1989
Oddfellows Playhouse, Staff Member/Director, small original productions by class ensembles, winning student playwrights, and urban performing troupes, 1985-1994
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Performances
- Finger Lakes Women’s Chorale Ensemble, alto, 2003-2004
- Various plays by Third Floor Writers, Third Floor Productions, Ithaca, 1995-present
- Clown Shows and interactive “clown therapy,” Moscow, St. Petersburg, Kabul (all with Patch Adams), Rome, Pisa, Lucca, Napoli, and Broome and Tompkins Counties, New York, 2001-present
- Mental Health Players, includes simulated patients: training for pediatricians, high school students with destructive behaviors, and people with schizophrenia, Mental Health Association of the Southern Tier, Binghamton, 1998-present
- Sam Can!, Buzz Off!, The Paper Bag Princess, Harriet Tubman and the Underground Railroad, Sam, Arte, Magic Butterfly, Dragon, Puppet with AIDS, Buzz, Peacetown Puppets, Mental Health Association of the Southern Tier, Binghamton, 1998-present
- Radio Commercials, REP Studios, Ithaca, 1996-present
- Dracula (abridged), Mina, The Dracula Project, Harpursville, New York, 2003
- Marassa and Midnight, Live! And in Color!, Aunt Jemima and the Traveling Menstrual Show, Ain’t I a Woman and a Sister (commissioned by the National Women’s Rights Museum), Sally’s Rape, Big Butt Girls and Hard-Headed Women, Two or Three Things I Know for Sure, WOMBman Wars, Passages, Babes in Arms productions, Ithaca, 1995-2001
- The Magic Bird, ArteGiocco, commedia-style original piece, Ithaca Festival, 2002
- A Short Evening of Monologues, Rude and Bold Women Celebration, Binghamton, 2001
- Medea--the Clown Version, Medea, Tompkins-Cortland Community College Professors, Cornell University, 2002
- Reduced Shakespeare Company’s Hamlet, Laertes, Horatio, First Night, Binghamton, 1999
- El Retablo de Maese Pedro, Enamored Moor, Don Gayferos, Ithaca Opera, 1998
- Chimera, Chimera, Kitchen Theatre, Ithaca, 1996
- The Baltimore Waltz, The Third Man, Manchester Community and Technical College faculty production, Connecticut, 1994
- Haiku, Louise, Connecticut Heritage Productions, 1994
- They’re Playing Our Song, Sonia, Greater Hartford Academy of Performing Arts faculty showcase with original touring star Kevin Daly, Connecticut, 1993
- Kids on the Block, Puppeteer, Tri-County region, Connecticut, 1987-1992
- Commedia dell’Arte (original plays), Pantalone, Brighella, Arlecchino, Columbine, Oddfellows Playhouse, Connecticut, 1983-1985
- Free Radicals, commedia dell’arte/physical theatre company, many characters, especially Coviello, 1987-1989
- Summer Circus, stilts and clowning, Oddfellows Playhouse, Connecticut, 1986-1988
- Various original works, Women’s Mime and Mask Ensemble, California, 1986
- Two Gentlemen of Verona (adaptation), Crab the dog (on stilts) and vocal soloist, Dell’Arte School of Physical Theatre touring show, California, 1986
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Writing and Editing
Writer: Education Modules
- Bali Module has been sold to half a dozen school districts; publication likely
- "Group Playwrighting" has been used by school teachers, artists, and community organizations
Writer: Plays
- Mental Health Players shows on suicide, relationships, mental illnesses, diversity, violence, sexuality
- Peacetown Puppet Scripts: Paper Bag Princess (adaptation), Harriet Tubman and the Underground Railroad, Prince Ahmed and Peribanou (adaptation), Sam Can!, Buzz Off!, and for Binghamton’s World AIDS Day Observances
- Marassa and Midnight, for Babes in Arms, currently being revised for further production; preliminary reviewer claimed “will become a children’s classic”
- Koi and the Kola Nuts, for Ithaca High School, currently being revised for further production, favorably reviewed
- Passages, for Babes in Arms, favorably reviewed
- Quack! for the Free Radicals, reviewed favorably for Connecticut’s Finest magazine
Writer: Mystery, Murder and Adventure Events, 1993-present
Yearbook Editor, Greater Hartford Academy of Performing Arts, 1993, 1994
Writing and Technical Consultant, Joe Young Productions (Joe...Picture This! Show), 1992-1993
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Mask Making
Commedia dell’Arte Masks (Brighton High School) 8 commissioned commedia dell’arte masks, 2003-2004
Community School of Music and Arts, Faculty Show, Ithaca, 2003
Ireland Mask Project, “Green Man,” “Aonbarr,” “Forgall the Wily,” 2003
Manhasset High School, Long Island, 12 commissioned Commedia dell’Arte Masks, 2002
Bali Project, “Barong,” “Rangda,” 2001
Koi and the Kola Nuts, “Sky Chief,” mentor for 20 mask makers, Ithaca High School, 2000
Raven Steals the Light, “Raven,” Roberson Museum/Mental Health Association of the Southern Tier, Binghamton, 1999
El Retablo de Maese Pedro, “Don Gayferos,” “Enamored Moor,” “Moorish King,” “Melissandra,” Ithaca Opera, 1998
Animal Masks and Commedia dell’Arte Masks, Oddfellows Playhouse, Connecticut, 1984- 1985, 1986-1994
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Presentations
- “Afghanistan: What Is Happening and Why?” Ithaca High School, Global Studies, 2004
- “Education Theory, Empowerment, and Clowning,” Communications 405, Professor Jethro Hayman, Cornell University, 2003
- “Clowns as Part of a Wellness Team in Hospitals and Nursing Homes,” BARTELS fellows and graduate students, Action Learning Network, students and faculty, Cornell University, 2002, 2003
- “Art and Mental Health” for nurses, doctors, and aides, Juvenile Psychiatric Unit, Cayuga Medical Center, 2002, 2003
- “Commedia dell’Arte,” “Melodrama Lives!” “The Gentle Art of Clowning,” “Bali: An Arts-Integrated Multicultural Classroom Module for Grades 4 through 7,” “Group Playwrighting,” “Masks: Making, Movement, and Taksu,” New York State Theatre and Education Association annual Theatre Educators’ Conferences, 1999-Present
- “Afghanistan: What Is Happening and Why?” each of the eighth grade classes, Dewitt Middle School, 2002
- “Clowning as a Modality for Making Curricular Content and Context More Accessible to Struggling Students,” Community College Professors, International Community College Coalition, Cornell University, 2002
- “Clowning in Afghanistan,” Sertoma Club, Binghamton, 2002
- “Afghanistan: What is Happening and Why?” Maine-Endwell High School, 2002
- “Clowning in Afghanistan,” for civic leaders, Monday Afternoon Club, Binghamton, 2002
- “In Russia with Patch,” Center for Religion, Ethics, and Social Policy, Cornell University, 2001
- “Group Playwrighting,” Balanced Mind Curriculum Conference, 2001; invited but unable to present due to scheduling conflict
- “Communication and Performance,” Empire State College MALS students, 2000
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Other
- Stage Combat Trainer, Trumansburg High School, Ithaca High School, Community School of Music and Arts (1994-present)
- Selection Committee, Next Stage Winning Plays, 1998-present
- Board Member, Underground Railroad Commission, 2001, 2002
- Stage Combat choreographer for Wit’s End, Ithaca College, 1997
- Stage Combat Trainer for The Lion, the Witch and the Wardrobe, Hangar Theatre, 1997
- Selected Panelist, Connecticut Commission on the Arts, Arts in Education Grants, 1994
- Appointed Board Member, Juvenile Diversion Board, Connecticut 1992-1994
- Recreation Assistant, Rensselaer County Day Treatment Program for Developmentally Disabled Adults, summers of 1982, 1984
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